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那个人在想什么事情

那个人在想什么事情

主演:
John Price Preben Neergaard Lotte Tarp 
备注:
已完结
类型:
科幻 恐怖 
导演:
Jens Ravn 
别名:
The Man Who Thought Life
更新:
25-12-21/年代:1969 
地区:
其它 
相关标签:
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《那个人在想什么事情》内容简介
The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.……

《那个人在想什么事情》剧情解析与影评

当镜头缓缓推近那张布满皱纹的脸庞,观众不由自主地陷入沉思——这部名为《那个人在想什么事情》的丹麦科幻片,恰如其分地诠释了人类对思维世界的永恒好奇。作为1969年北欧影坛的独特存在,它既承载着时代印记,又展现出超越时空的艺术张力。

影片最令人惊叹的莫过于摄影师维托尔德·莱斯辛斯基创造的视觉语言。那些严格对称的构图如同几何谜题,宽荧幕画幅将人物框定在工整的几何空间里,平缓的推拉镜头与弧线摇镜交织出超现实的仪式感。这种克制到极致的运镜方式,恰好暗合了主人公大脑中具象化的思维实验——当神秘病患声称能用想象力创造生命时,镜头便以近乎冷酷的精确性展现意识世界的秩序与荒诞。

演员的表演在冷静表象下涌动着暗潮。脑科医生MAX面对自我克隆时的错愕,被具现化为新旧两个自我在镜像场景中的对峙。新“MAX”夺走生活的段落里,演员用细微的面部抽搐传递出身份认同的撕裂感,这种克制的演绎反而强化了科幻设定的可信度。而那位神秘病患的扮演者,则通过持续的眼神游移与突然爆发的肢体动作,构建起高智商偏执狂的复杂形象。

作为丹麦电影史上第二部科幻作品,它在软科幻框架下探讨了极具哲学深度的命题。当医生质问“是成为变革者还是守旧者”时,影片并未落入非此即彼的窠臼,而是通过克隆人引发的伦理困境,揭示技术进步背后的人性焦虑。这种思考在结尾达到高潮:两个MAX并立窗前的长镜头中,晨光将他们的影子投射成重叠的X形,仿佛对人类存在本质的终极诘问。

尽管叙事结构看似松散,但重复出现的中心对称画面形成独特的记忆锚点。天花板几何图案与地板平行透视构成的视觉牢笼,既是角色被困于思维迷宫的隐喻,也暗示着科学探索的边界所在。相较于同期好莱坞科幻片的戏剧冲突,本片更像一场静默的思想实验,每个平静的画面背后都蛰伏着关于存在与虚无的辩证思考。